Recent Reads: The J-Word, by Andrew Sanger

As a Jewish-American, I'm very interested in the experiences of Jews in other countries, past or present, factual or fictional. Andrew Sanger's debut novel, The J-Word, presents one such glimpse into 21st-century Jewish life--in England--by focusing on octogenarian Jack Silver and his family. (If Sanger's name is familiar, that may be because you've seen him guest-blog right here on My Machberet.)

What I found here--apart from certain figures of speech, a pronounced recurrence of teatime, and a greater focus on "football" (soccer) than we tend to find in American literature--were many similarities with threads of Jewish experience in the United States. To be sure, Jack's long-sustained quest to become truly "English" and fully assimilated is a situation quite familiar to readers of Jewish-American literature. The incorporation of prayer snippets and Yiddishims is another link (anyone needing refreshers or translations will find them in footnotes and a glossary). But the book also reflects newer aspects of Jewish contemporary experience that cannot fail to resonate in an American reader just as they might in an English one.

Take, for instance, these musings from Jack, shortly after he is attacked by a gang in what is clearly an anti-Semitic hate crime:

Maybe the answer is education. An intelligent, aware population. That, he realised, was an impossibility. Some of the best educated people hate Jews. So a liberal, tolerant society? He grimaced at the thought. In his mind he saw ranks of pale, thin-lipped English men and women saying 'we're not antisemitic,' the readers and writers of the Guardian and the Independent, sympathising with suicide attackers, calling for boycotts and spreading hatred of Israel. He laughed bitterly. 'Oh no, it's only Israel and its supporters we hate,' he said, 'not Jews.' The Guardian and the Independent and the BBC are leading us to the next Holocaust. Then they will be able to report on it with horrified condemnations. What about the Jews who take that side, too - Harold Pinter and the rest? Fools!

Now, I happen to be a reader who appreciates a good dose of politics in fiction, and I also happen to be someone who discerns with increasing frustration in some American media outlets much of the same content/opinion that Jack highlights here on the English side. In other words, I am sympathetic to Jack's particular political views. I admire Sanger's writing here very much. It takes bravery to write like this. It also takes skill. Whatever Sanger's personal views might be, these few lines convey at least as much power and conviction as might a full-fledged op-ed. But undoubtedly, some readers may not share my enthusiasm on these points.

I haven't done justice here to this novel, which merits a much more detailed examination, so I will send you to some other sources. Meantime, I'm quite glad that I've had the opportunity to read The J-Word, and (disclosure!) I'm grateful to the publisher for the review copy.

Further Resources:

• Andrew Sanger, "America Starts to Discover The J-Word"
• Joy Sable (for The Jewish Chronicle), Review of The J-Word
• OyVaGoy (Chas Newkey-Burden), Brief review and interview with Andrew Sanger
• Scribblers on the Roof, Interview with Andrew Sanger

Super Splendid Terrific Conference News

Last Friday, the Association of Writers and Writing Programs (AWP), announced its "tentative list of accepted panels for the AWP 2011 Conference & Bookfair in Washington, D.C.at" The final list will be available in October (the conference is slated for early February 2011).

I was thrilled to learn that the following panel is among the accepted events:

Beyond Bagels and Lox: Jewish-American Fiction in the 21st Century
Erika Dreifus, Andrew Furman, Kevin Haworth, Margot Singer, Anna Solomon
Jewish-American fiction has long been seen as a literature of emigration from the shtetl, assimilationist angst, and overprotective parents. But what's nu? How do Americans born decades after the Holocaust and the birth of the State of Israel deal with those complex subjects in fiction? Who are the new Jewish immigrant characters? How does American Jewry's more than 350-year history inspire plot/setting? And how are writers today influenced by Judaism's rich multilingual and spiritual legacy?

At least two other events on the list seem linked to issues of Jewish writing: "Two Jews, a Catholic, a Buddhist, a Mennonite Sufi Shaman, and a ________ walk into an AWP Panel: Geography’s Influence on Writers Writing Religion and Culture," featuring Eric Wasserman, Ira Sukrungruang, Heather Derr-Smith, Bich Minh Nguyen, Erika Meitner, and Mary Biddinger; and "Jewish Guilt," with Janice Eidus, Carol V. Davis, Marjorie Agosin, Ruth Knafo Setton, and Elaine Terranova.

It's wonderful to see Jewish writing acknowledged and celebrated in the conference program. Now, to prepare some excellent presentations! Stay tuned--I'll be asking for reader input!

Notes from Around the Web/Twitter

Benjamin Ivry's account of the disinvitation of Israeli writer and translator Esther Orner from an academic conference in France motivated me to respond: I immediately ordered two of Orner's books from Amazon.fr.
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Also from Monsieur Ivry: an intriguing description of a new play, "an imaginary conversation between [Georges] Mandel and [Léon] Blum when, during Germany’s occupation of France, both were imprisoned at Buchenwald." What can I say--this appeals to the historian-of-twentieth-century-France in me.
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Barbara Krasner provides a report on the first annual New York Sephardic Book Fair.
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Some new Jewish poetry has been posted over on the New Vilna Review's website. See especially Matthew Hartmann's "Warsaw is Burning."
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If you're between the ages of 22 and 35 you are eligible for an incredible opportunity: a "Writers' Seminar on the Jewish People," led by Samuel Freedman. (I'll 'fess up and admit that I tried [unsuccessfully] to gain admission the last time this seminar was offered...although I was already beyond 35!) There's no application fee, and you have until September 5 to apply. (Thanks to our friends at the Jewish Book Council for the news about this year's seminar.)
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Moment magazine is looking for an Assistant Editor. Details here.
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Oh, have you heard that Gary Shteyngart has a new novel out? I laughed a little when I saw this tidbit on Twitter: "SUPER SAD Moving Up List: Another day, another review, or two, for Gary Shteyngart’s satiric Super Sad True Love S... http://bit.ly/b3YhON" (source: earlyword). The publicity for this book has been incredible! I have to admit I am getting curiouser and curiouser...and the book is on my tbr list.

Shabbat shalom!

Words of the Week: Jacob Weisberg

Over on my other blog, I routinely publish a "Quotation of the Week," something about writing (which is the focus of said other blog).

I'm beginning to think I should launch a "quotatation of the week" feature here, too. Below, you'll find this week's entry, taken from a discussion about boycotts of Israel (mainly, a current entertainment industry-fueled boycott).

"When people are trying to murder you because of your religion, it is difficult to credit the bona fides of those who merely want to shun you because of your nationality."

--Jacob Weisberg (via Jeffrey Goldberg)

Recent Reads: Grace Schulman's First Loves and Other Adventures

Now that I've joined Goodreads, I've been chronicling most of my "recent reads" over there. Hence, today's My Machberet post is actually a cross-posting of the write-up I gave earlier this month to Grace Schulman's First Loves and Other Adventures, a recent release from the University of Michigan Press's Poets on Poetry series.

Grace Schulman has to be one of the most generous writers out there. I had the privilege of meeting her for a profile I wrote not too long after I began working at The City University of New York, where she is a Distinguished Professor at Baruch College. I left our first meeting with an armful of books, and when we met again a few months back, she asked if she might send me her latest: First Loves and Other Adventures.

I probably can't be completely unbiased, but having had the opportunity to get to know this author a bit, I find the opening and closing essays in this collection most striking. They are also, arguably, the most personal.

In the first, "Helen," Schulman describes family history, the experience of growing up Jewish in New York while the Holocaust unfolded across the ocean, and the connections she sensed from an early age with her father's sister, Helena ("my parents Anglicized it"), who died in the Warsaw ghetto uprising in 1943. The closing piece, "An Uncommon Friend," recounts the relationship Schulman and her husband had with author Richard Yates. I was in the room at the 2008 conference in New York where Schulman presented this text on a panel honoring Yates's life and work; I'm grateful to have had the opportunity to revisit it.

In the introduction to this volume, Schulman describes the essays within as being "of two kinds: first, about becoming a writer; second, about some of the books I love." The book encompasses reflections on May Swenson, Marianne Moore, Octavio Paz, and others. And anything Schulman writes is worth reading. Still, the first and last essays are the ones I'll remember the longest.

Notes from Around the Web

The always-sagacious Josh Lambert rounds up a group of "beach reads" for Tablet.
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The New York Times follows up on the brouhaha surrounding a new play, Imagining Madoff.
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Benjamin Ivry writes about Frédéric Chouraki's new novel, La Guerre de Kippour (the subject matter isn't quite what you may guess from the title).
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The Poetry Foundation takes note of a collection of Yiddish poetry (translated by Dr. Sarah Traister Moskovitz) originally written by Jews who were trapped in the Warsaw ghetto.
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Sarah Seltzer reflects on being the only Jew in her MFA program's incoming cohort. Brought back quite a few memories of my own similar experience. (via @JewishMuse)
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Paid internship opportunities at Tablet magazine.
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And still more from Tablet: Rachel Shukert (whose work I've mentioned here in the past) has a new book out, and Tablet is co-hosting a celebration next Tuesday.

Shabbat shalom!

Bay Area Screenings of "Grace Paley: Collected Shorts"

Bay Area fans of author/activist Grace Paley have at least two opportunities to see Lily Rivlin's documentary, Grace Paley: Collected Shorts.

From the San Francisco Jewish Film Festival description:

Lily Rivlin's (Gimme a Kiss, SFJFF 2002) intimate documentary is a rich, inspiring portrait of Jewish writer and activist Grace Paley, who passed away in 2007. Paley's acclaimed first short story collection, The Little Disturbances of Man, established her reputation with its brilliantly sad and funny chronicles of Jewish American urban females much like herself. Paley's New York tales, filled with an emotional and sexual frankness especially bold at the tail end of the frightened 1950s, soon became classics of the short fiction form. Not content to rest on her laurels, however, Paley combined her evolving literary career with passionate pursuit of her political concerns through the 1960s, 70s and 80s. "Art is too long and life is too short,"wrote the outspoken Paley, "There's a lot more to do in life than writing." Indeed, she spent the rest of her life on the front lines of the anti-war and women's movements, where she endured being arrested time and again. Rivlin's film confidently juggles all aspects of Paley's extraordinary story, told in candid recollections and passionate readings by Paley herself, along with fond remembrances by literary critics, family and writer-friends Allan Gurganus and Alice Walker. Throughout, Grace Paley: Collected Shorts casts an important and penetrating light on a brilliant and highly principled woman who constantly reinvented both her life and art.

You can catch the film on July 25th at The Castro Theatre in San Francisco, or on August 1st at The Roda Theatre in Berkeley.

Notes from Around the Web

Israel, Orthodoxy, and much more appear in Sarah/Sara, Jacob Paul's debut novel--and in my review for the Fiction Writers Review website.
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Speaking of the above review, I'm proud that it's part of the first installment of the Jewish Book Carnival, organized this month by the Association of Jewish Libraries. Please do check out this month's collection of carnival contributions.
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One of the links in the aforementioned carnival will take you to this review of Natasha Solomons's Mr. Rosenblum Dreams in English, which I began reading this week (also for a review, so I won't say too much else until the review is done and published).
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As To Kill A Mockingbird celebrates its 50th birthday, Eric Herschthal asks "Did Harper Lee Whitewash the Jewish Past?"
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The summer issue of the Jewish Review of Books is out, and some of the content is available online.
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It was Bastille Day this week, in case you forgot. Which makes this a good time to mention that Benjamin Ivry's Arty Semite posts routinely provide insights into French-Jewish literary culture. And the What Would Phoebe Do blog is a good source for "Francophilic Zionism."

Shabbat shalom!